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Rob Fordeyn – Tanztage Berlin 2026

Program

2026
35 edition

Current

Rob Fordeyn

Rob Fordeyn is a Belgian-Zambian dancer/choreographer based in Berlin. Fordeyn studied at the Royal Ballet School of Antwerp and began his career with Royal Ballet of Flanders. In 2008 he joined Ballet Opéra de Lyon. Since 2009 Rob has worked as a freelance artist with Arco Renz, Marc Van Runxt, Lisbeth Gruwez, Claudia Castelluci, Forsythe Company, Trajal Harrell, Ersan Mondtag, and Benny Claessens. As a choreographer he has collaborated with Darcey Bennet (Tragic by Accident and Drama, Chaos, Confusion and Madness), Tobias Staab (After Work) and Ersan Mondtag (Antikrist). From 2020-2022 Fordeyn was engaged with Constanza Macras/Dorky Park. In 2023 Fordeyn joined Trajal Harrell / Schauspielhaus Zürich Dance Ensemble for The Romeo, Maggie The Cat and The Köln Concert.

Darcey Bennett is a creative producer and artist based in Berlin. Coming from a background in the visual arts, Bennett has made site specific installations exhibited in Belgium and the Netherlands (i.e. Marres Maastricht, MUHKA Museum for Contemporary Art Antwerp, Sandberg Institute Amsterdam, CinemaZuid/Fotomuseum Antwerp, SOIL collective Brussels). In collaboration with dancer/choreographer Rob Fordeyn he staged Tragic by Accident (2015), which premiered at Monty Kultuurfaktorij Antwerp, followed by Drama, Chaos, Confusion & Madness (2017), which premiered at FrankfurtLab. In 2020 he started his collaboration with choreographer Jeremy Wade. Since early 2023 Bennett takes part as creative producer in CRUSH, an artist-led alliance by Martin Hansen, Kareth Schaffer and Cécile Bally.

CIVIC GRACE is the musical alias of Ashley Wright, Australian producer based in Berlin. Her work is a mix of oneiric sounds, an experimentation of ambient, breakbeat, dub techno and acoustic soundscapes. With her musical background stemming from her career as a professional dancer, she has built herself a sentimental approach as a producer. She works by gathering and assembling sonic fragments of the world to form layered sound tapestries that find a kind of majesty in sharp contrasts of ephemerality and nostalgia. With an ardency for story telling though sound she doesn’t seek for a connection with any particular music style, but encapsulates interpretation. CIVIC GRACE produces for her own choreographic works, commissioned dance pieces, art installations, live events and film. Since 2019 she has released three solo albums.

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