Slim Soledad: VIBRATIONS, TRANSLATIONS | Jan 14-15 | SOPHIENSÆLE – TANZTAGE BERLIN 2025

2025
34 edition
Dance, Performance Ticket Premiere
Closing party Free admission

Slim Soledad:
VIBRATIONS, TRANSLATIONS

Slim Soledad “VIBRATIONS, TRANSLATIONS“-low resolution-220
Slim Soledad:
VIBRATIONS, TRANSLATIONS
Dance/Performance
in English and Portuguese

PREMIERE

We recommend wearing an FFP2 mask for the performance visit.

VIBRATIONS, TRANSLATIONS – an encounter of music, performance and dance - looks into the ritualistic processes of translation between sound vibrations and body motions. The performance investigates music as a way of solving contentions between the 'human' and the 'spiritual': the interconnectedness between the material and the immaterial experience of the world. Combining the selection of inanimate objects and pivotal elements of nature such as rocks and fluids, Slim Soledad and her guests explore how the vibrations can be decoded and encoded in materiality activated by movement. She looks for new connections within the inhabited bodies and envisions a new self, born out of multiple ritualized encounters.

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If any questions remain from the following information, please feel free to contact Hannah Aldinger at barrierefreiheit@sophiensaele.com or 030 27 89 00 35. Please note that details may change by the day of the event.

General: The performance lasts approx. 45 minutes and uses English and Portuguese spoken language. It is suitable for audiences aged 16 and over. Strobe lights, dimmed lights, loud sounds and bass are used on stage. The performance includes light and relaxed moments, but also intense, heavy moments. Some moments can evoke feelings that take us back to a dream.

Audience area: The audience area on the grandstand is seated. There are two wheelchair spaces and two beanbag seats, which can be reserved or purchased at the online ticket shop or box office, depending on availability.

Early Boarding: If, for artistic reasons, the door to the auditorium does not open until very shortly before the performance begins, there is the option of Early Boarding. This is early admission for all people (especially with visible or non-visible disabilities) who want a specific seat or a more relaxed entry.

You can also find more information about accessibility here.

Concept, Sound, Direction, Performance Slim Soledad Sound, Performance Alada Choreography, Performance Black Pearl Set Design, Light Design Eric Oliveira Co-Direction, Light Design, Production Lolla Venzon Assistance Direction, Production, Set Design Jô Osbórnia Dramaturgical support Jette Büchsenschütz

A production by Slim Soledad in co-production with SOPHIENSÆLE. The 32nd edition of Tanztage Berlin is a production of the SOPHIENSÆLE. Funded by the Senate Department for Culture and Europe. With the friendly support of Tanzfabrik Berlin e. V., Theaterhaus Berlin Mitte and HZT Berlin. Media partners: Siegessäule, taz and Berlin Art Link.

Slina da Soledade aka Slim Soledad is a multi-artist, born in Guarulhos - São Paulo/BR, currently living in Berlin. Her body moves through the different sounds inter-passing rhythms like Baile Funk, Vogue and contemporary dances. These connections develop nuances in her body's creative process as a performer and in her musical production. Co-founder the queer collective Chernobyl that caters to a BiPOC and LGBTQIA+ audience in Brazil.

Alada is a Brazilian dj & music producer. Part of his evolution and purpose, as an artist and character, brings a new vision for those who are understood as "music", "art" and "genre". Always with a paradigmatic break approach, his work is high in emotion and sexuality.

Black Pearl de Almeida Lima is a Brazilian multidisciplinary, Afro-Latinx, Trans Artist based in Berlin. She graduated from the Staatliche Hochschule für Musik und Darstellende Kunst Mannheim, has performed professionally in different art institutions and renowned professionals dance companies in Germany. Joined Ballroom Germany in 2020 and is currently a member of the Iconic House of Saint Laurent Europe.

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    © Mayra Wallraff
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